I worked for several months during 2003 and 2004 at a company which I felt didn't have much to recommend it: the pay was awful, for starters. Everyone hated working there, too; that was another issue. This was during the post-dot-com, post-9/11 economic slump; jobs for anyone who did anything internet-related were (and had been, for a few years) few and far between. (The job market for internet-type jobs may have been worse then than it is now, even, despite the much larger downturn in the current economy.)
Anyway, this company's offices were on 28th and Fifth. So to get to work, I'd take the R train to 28th Street.
Several of the R-train stations were renovated early in this decade. As part of these renovations, the MTA commissioned mosaic artwork by various artists to decorate the tiled walls of some of the stations. As public art, the mosaics in these renovated stations did their jobs well enough, I think: they provided people with something interesting to look at and to think about while passing through the stations or waiting for their trains. Most of the installations were a little uninspired, though, I felt.
At 23rd Street, e.g., mosaic depictions were installed of different types of hats worn by well known former residents of the area. A clever conceit, I guess, although I never knew -- until a bit of googling just now -- that these hats were meant to have been worn by, for example, P. T. Barnum, Marie Curie, William Randolph Hearst, John Barrymore, etc. Had I known, I'm not sure if I would have cared.
At 8th Street, the mosaics depict mostly what I'd describe as "pretty neighborhood scenes." They're nice to look at, these idealized scenes; to my mind, at least, that's about all they are. The subway closest to my current office, as it happens, is this 8th Street station, and I can honestly say that I can't describe any of the mosaics there. I think one of them has to do with the arch in Washington Square, maybe. (Which is, at any rate, better than station walls covered only with ads
for morning drive-time radio shows and action films, but still: this is New
York, which prides itself on being a creative capital.)
At 28th Street, though, the station I passed through twice every weekday for several months during the abovementioned, vaguely drab stage in my professional life (and, on account of the borderline-insulting pay, my personal life as well), the mosaic situation is different: these mosaics, by Greek artist Mark Hadjipateras, are inspired. Like this one (click any of these for a larger view)...
...I mean: fire-hydrant love! Fire-hydrant PDA, at the very least! Which one is the boy-hydrant and which is the girl-hydrant, do you think? (I'm assuming that these are heterosexual hydrants, btw: not, perhaps, a valid assumption -- I'm assuming, actually, that fire hydrants have genders; possibly another invalid assumption.). Anyway, but so could you look at this in the morning on your way to work and not feel just a little bit better about your life; even about the world?
Next: two ubiquitous (in New York) water towers of the type which sit atop many buildings...
...who are maybe... I don't know, but I'm thinking, surveying the area, sentry-like? Or something? Or chilling out, perhaps, after a long morning of dispensing water down into the city's showers and bathtubs and toilets, slowly being gravity-fed water for tomorrow.
And this guy -- this "guy" -- is doing: is doing what. Blowing bubbles? Throwing up? Blowing his nose? Feeding someone, mama-bird-style? They're something slightly sinister about some of these mosaics, actually, but sinister in a benign way, which of course makes no sense at all:

And, finally, the pièce de résistance, as far as I'm concerned...
...the pièce de résistance because... Well, first of all, what or who the fuck is this magnificent thing? An iron? A mutant water standpipe? Factory-rejected anvil re-purposed as a lawn sprinkler? Wind-up toy from hell, if hell were fun? The fire hydrants from above, stripped of most of their clothes, in a hot tub of some sort? Unlike most of Hadjipateras' mosaics, which are installed on the walls of the train platforms, this one is in the stairway which leads up to the street from the uptown side of the station. So I'd walk past it every morning as I left the station, moments before hurling myself east across two freezing, brutal-winter-of-2004 blocks of 28th Street prior to beginning a day of work at a job which I was glad to have only in the sense that I was glad to have a job as opposed to not having one. This mosaic made me happy. It made me want to make something as wonderful as it was.
Hadjipateras made, I believe, 34 mosaics in all for the 28th Street station. Collectively they are called "City Dwellers." Thumbnails of most of them follow; click any for a larger view.
Photos taken yesterday afternoon.